Mendelssohn’s Fourth Symphony is extroverted from the outset, conjuring up the sunny skies and landscapes of the Italian countryside in a virtually flawless assembly of airy and fiery dances, never letting the excitement lapse for a moment. Rachmaninov’s most enduring masterpiece is his Second Piano Concerto. Rising out of mysterious depths of bell-like tolls, he quickly lets loose the first of many striking themes that litter the work. Its incessant energy and yearning passion never fail to stir the emotions. Overcoming his writer’s block, Rachmaninov found a new voice as a composer – one with a perfect knack for unforgettable tunes, dazzling pianistic effects, an effortless flow of ideas, and a very suave sense of style. Rossini’s sparkling overture begins slowly but soon builds a head of steam, getting faster and louder in true Rossini style, whilst Mascagni’s passionate intermezzo never fails to pull at the heart strings.

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